Sunday 13 March 2011

Sargent House Signs Adebisi Shank, Release Second Album


This Is the Second Album From A Band Called Adebisi Shank is just the type of futuristic-utopian sound of a parallel 2011 universe breaking through the time-space continuum to guide us all to perfection.

The Wexford, Ireland trio deftly merges the triumphant guitar harmonies of Fang Island with the mathematic precision of Battles, the genre-surfing playfulness of Daft Punk and churning intensity of HEALTH. But it's much more than the sum of those parts, it's a sound befitting of the retrofuturism we've come to love about old films where archaic technology collide with far more further-reaching ideas. To wit, the album cover depicting two zebras galloping across a Tron-style neon landscape perfectly embodies the transcendent intersection of triumphant guitars and rollicking drums with vintage synthesizers, marimbas, horns, vocoder, synthesizers, ensemble percussion and musical instruments we're not sure have even been invented yet.


US label and management company Sargent House has signed Adebisi Shank for worldwide management and will release the album in North America on March 15th, 2011. The album was previously issued in Ireland/UK by equally likeminded and groundbreaking DIY Irish label Richter Collective in 2010.

The album was recorded and produced by the band and Stephen J. Caffrey in various locations around Ireland and mixed and mastered by TJ Lipple at his home in Washington DC.

"On the first album, our mission was get in, tear it up, get out," explains bassist Vin. "The whole thing is over in about 24 minutes, which is really cool, but this time we wanted to make something that you could really spend a bit of time with, get a bit lost in. This one's 40 minutes, which might not sound a lot, but to us that is almost like a double album. There's a real sense of geography to the songs, you can really feel the places we've been and to an extent, the people we've met as we've travelled around. It seemed to make sense to bring in as many of our friends as we could to give the album the party vibe we felt it deserved." He continues, "It's a big glorious mess."



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